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Billy Pilgrim. Slaughterhouse Five. Executive

Billy Pilgrim was a foolish figure, eight feet tall and tall and a chest like a matchbox.

had no helmet, no warrior had had no weapons, had no boots. He had his feet in shoes cheap street-the same who had shoes at the funeral of his father, one of which was missing the heel, which made him go swinging up-and-down, up-and-down. This dance involuntary up-and-down, up-and-down, made him itch in the hip joint. His clothing consisted of a thin sport jacket, shirt, trousers wool itchy, and some long underwear soaked with sweat.

... beard, a bristly beard and short, bristly hairs some of which were white and even though Billy was twenty years. You was balding and wind, cold and violent exercise had given his face a crimson color.

not look anything like a soldier. It looked like a dirty bird.

Slaughterhouse Five

Kurt Vonneg ut

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By the early nineteenth century the shawl (fichu) became an essential part of French women dress.
Were used in all seasons and made of different sizes, but always carried with great care and air care.
Linen, cotton, wool, silk, batiste, chiffon and lace were the materials for making them, but it was the arrival of the cashmere shawl which became enormously popular.
In 1815, the Journal des Dames et des Modes said: "Women remember the time when the Kashmiri shawls were the ne plus ultra of fashion. The things that women should do to these beautiful pieces! invent 1000 reasons to have one. The richest would only need to say it was the fashion, women middle-class dress like the others, and the poorest would argue that the cashmere is good for health and more durable than anything else. Even if there was no reason, women would appeal to the proverb: a cashmere shawl is the only acceptable proof of true love "

women did not want to get rid of the scarf at any time. The carried continuously, even at the dances when they wanted to wear something on the shoulders of a classic or just folded over one arm.
Long and thin like a scarf, square or rectangular, folded, wrapped or tied, the shawls were an essential garment, which complemented the dress. Revered in the classical sense.
reached a maximum of his glory when he gave a famous dance: dance of the shawl, which played an important role in a delicate silk scarf.

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shawls Locas by Teachers: Lucien Lelong

Since the late nineteenth century the house sewing and Eleonore Arthur Lelong working for foreign courts, but in 1910 his son Lucien Lelong provided the signature innovative sense. Grew the company in 1926 had two hundred thousand people. His wife, Princess Nathalie Paley , daughter of Grand Duke Paul of Russia, saw his creations and displays them in society. For a while the couple was one of the most prestigious, if not the best question, the Paris of the Thirties.

Nathalie Paley, wife of the designer, wearing a dress with a layer of feathers and sequins. 1933

Businessman and art director of a company that used for the design of their libraries to modellers of talent ( Pierre Balmain, Christian Dior, Hubert de Givenchy ), Lucien Lelong created in 1935, after seeing the American working methods, a clothing department Dresses limited edition. branded "Lucien Lelong Edition" , these dresses just need some tinkering to get along. They can already be seen precursor signal prêt-à-porter.

Women truck. Lucien Lelong dress. Photo: Man Ray 1937